Post by : Anis Karim
The last few years have seen generative-AI tools move from novelty to mainstream. From images and voiceovers to fully synthetic videos and text, the idea that “the machine created it” has shifted from sci-fi to the news feed.
But while the technology raced ahead, the frameworks around ownership, authorship and compensation lagged behind. In 2025, we find ourselves at a turning point: who owns what, who pays whom, and how do creators protect themselves when the “clone” is just a click away?
Synthetic media refers to content (images, video, audio, text) that is created, modified or manipulated algorithmically — in many cases by AI systems. While this offers massive creative opportunity, it also raises fundamental questions:
If a model is trained on thousands of artworks and then spits out a new image, who is the author?
If a voice-clone of an actor sings a new song, what rights does the actor have?
If a text generator uses public-domain source material intermittently, is the result original?
These questions are no longer academic. They matter for livelihoods, business models and the very definition of creative labour.
A growing grievance among artists, writers, musicians and other creators is that their works are being used (sometimes without consent) to train AI models that then generate new content — potentially competing with the original. For example:
Music industry executives have reported tens of thousands of cases of AI-generated songs featuring synthetic voices of major artists. Financial Times+1
In Europe, rights-holders are calling out AI firms for what they describe as “unilateral appropriation” of content. Le Monde.fr
The consequence: creators feel they are losing control — not just of one work, but of the factory of derivative, synthetic works that follow.
Copyright law traditionally grants protection when there is human authorship, originality and fixation. But generative systems challenge this. Some key issues:
Many AI-generated outputs may not qualify for copyright because of insufficient human “creative input”. A&O Shearman+1
Training AI models on copyrighted work without proper licensing is subject to lawsuits. For example, major studios have sued image-generator firms in 2025 alleging misuse of characters or images. AP News
On the regulatory side, countries are adopting new laws to require labelling of synthetic media and tracing its origin. India, for instance, has proposed amendments to the IT Rules that mandate visible notice when content is synthetically generated. Hindustan Times+1
In short: the law is playing catch-up, while the tech and commercial uses race ahead.
In the pre-AI era: creator → rights-holder → licence → payment.
In the synthetic-media era: model-builder → user-prompt → output → distribution → ?
The missing pieces:
Metadata and provenance: Without tracking where an output originates, it’s hard to assign rights. Global institutions like World Intellectual Property Organization (WIPO) are already discussing this. WIPO
Consent & likeness: When a synthetic voice or image uses a real person’s likeness without permission, rights of publicity, performance rights and moral rights get triggered. The UNION-actor case in the UK (2025) is a sign of what’s coming. The Guardian
Commercial exploitation: If a synthetic work generates revenue, who should be compensated? The original creator whose work trained the model? The user who prompted? The platform that distributed it?
The reshaping of creative value is underway.
Platforms, generative-AI services and large-scale data-collectors are gaining influence. They:
Offer “clone-your-voice/video” services
Enable prompt-to-asset pipelines
Aggregate data and control distribution
This raises concerns for independent creators who may become passive input into systems they don’t control. The rules of engagement are shifting from “you create → you own” to “machine creates → you share or exit”.
For media publishers, agencies, and creators this means strategic shifts:
Licences must cover not only “distribution” but “model-training, derivative usage, synthetic-output rights”
Business models must anticipate being challenged by synthetic replicas
Creative differentiation (voice, style, brand) becomes a strategic asset
The Ministry of Electronics & Information Technology (MeitY) has proposed draft amendments (2025) to the IT Rules that require social-media platforms to ensure that synthetically generated content is clearly labelled, and platforms must implement technical verification. Mondaq+1
The draft rules define “synthetically generated information” as content created or modified algorithmically but appearing authentic. They require visible indicators (for video/image at least 10% of display area, audio content in first 10% of duration). Hindustan Times
WIPO’s “IP & Synthetic Media” conversation (Oct 2025) convened global stakeholders to explore how intellectual property systems must adapt. WIPO
In the UK & US, creators’ unions are threatening direct action over use of actors’ likenesses in synthetic content. The Guardian
Studios like Disney and Universal Pictures have sued AI-image companies alleging copyright misuse of characters. AP News
These snapshots show: regulation, legal action and creator activism are all accelerating — but still catching up.
If you’re a creator, journalist, publisher or media brand, these are key tactics to stay ahead:
Audit your licenses
Does your contract cover “model-training usage”, derivative rights, synthetic outputs?
Are you signing away “machine-use rights” unknowingly?
Track provenance and metadata
Embed metadata around authorship, prompt chains, usage limitations.
Use tools that trace synthetic output back to original inputs.
Use watermarking and labels
Work with platforms that support visible synthetic-content labels.
Make clear whether content is synthetic, partly synthetic or original.
Protect likeness & voice
For performers, actors, models: negotiate rights around voice clones, synthetic likeness, future exploitation.
Monitor platforms for unauthorized uses.
Differentiate by creativity and brand authenticity
Machines can imitate style — but human context, voice, nuance still matter.
Publish content that leverages your unique point of view, not only generative output.
Stay informed about policy
Laws and drafts (especially in India) are evolving — keep an eye on platforms, intermediaries, safe-harbor rules.
Engage in policy consultations where possible.
Plan business model shifts
Consider subscription/licence models for your IP.
Think about how to monetise brand presence when synthetic clones proliferate.
Unchecked cloning: If content is re-generated en masse without remuneration, creators may face revenue collapse.
Erosion of authenticity: Audiences may lose trust if synthetic content isn’t labelled, affecting publisher credibility.
Legal fragmentation: Different jurisdictions will adopt different rules — cross-border enforcement becomes complex.
Value race-to-the-bottom: If synthetic works saturate the market cheaply, quality creative work may be undervalued.
Data-bias and training-exposure: AI models may embed biases or illicitly use content, triggering reputational and legal risk.
Mandatory provenance metadata: Synthetic content will carry embedded “birth records” — creation date, algorithm used, training sources, licencing status.
Visible disclosure = trust token: Platforms will require visible labels or watermarks for synthetic content — “This image/video/text was created or modified by AI”.
Rights enforcement in prompt chains: Licences will need to account for upstream inputs (datasets) and downstream outputs (derivatives).
Creator-first business models: Platforms and AI services will shift to models that compensate original creators whose content trained the AI.
Creative differentiation wins: As synthetic replication becomes easier, human context, perspective and originality will become more valuable, not less.
The rise of synthetic media in 2025 is rewriting the script: not because machines will replace artists, but because the rules of ownership, authorship and value must evolve. Creators are no longer simply producing works — they are participating in complex value chains that include AI-models, platform economies and global regulation.
For writers, artists, producers and media brands: this is both a risk and an opportunity. Embrace the tools, but insist on transparency, rights, and brand differentiation. The clone may look like your work — but your unique context, voice and story still cannot be “cloned”.
The machine can generate — but the human must author.
And the rules are now finally catching up.
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