Post by : Anis Karim
Launched in theaters on January 16, 2026, Rahu Ketu generated excitement by reuniting beloved comic duo Varun Sharma and Pulkit Samrat in a mythological comedy that aimed to mix humor with fantasy.
Under the direction of Vipul Vig, the film attempts to reimagine Hindu mythological figures Rahu and Ketu in a modern storyline filled with slapstick humor and social critique.
Despite its intriguing premise and familiar faces, the film has prompted varying responses from both audiences and critics, failing to deliver humor and a cohesive narrative. This review assesses why Rahu Ketu has sparked such diverse opinions.
The film centers on two clumsy protagonists, Rahu (Varun Sharma) and Ketu (Pulkit Samrat), who spring from a fantastical notebook penned by an eccentric storyteller named Churu Lal.
Drawing from myth, Rahu and Ketu embody cosmic forces and are charged with mending the world’s wrongs. However, their journey turns chaotic as they navigate issues of corruption and crime.
Things spiral out of control upon the arrival of Meenu Taxi (played by Shalini Pandey), initiating comedic chaos that drives the film’s storyline.
Although the setup of celestial beings interacting with human folly has comedic merit, critics argue that Rahu Ketu struggles to merge its mythological foundations with solid storytelling. The screenplay attempts to weave multiple plots—ranging from a botched drug ring to outlandish officials—but ends up feeling fragmented.
The Hollywood Reporter India referred to it as a “feature-length prank” that fails to deliver on its comedic aspirations, characterizing it as a “witless barrage on the senses” while noting its tedious length beyond the intermission.
Further, the script's self-referential humor, including fourth-wall breaks and fictional worlds clashing, often feels misplaced, leading more to disarray than comedic momentum.
A recurring highlight in reviews is the undeniable chemistry between Varun Sharma and Pulkit Samrat, reminiscent of their earlier on-screen partnerships.
Despite the script's shortcomings, the duo’s engaging banter offers moments of humor, providing light relief in the general chaos.
Nevertheless, their talents are often overshadowed by a lack of coherent development, leaving their comedic potential unexplored.
The supporting ensemble, featuring Shalini Pandey, Piyush Mishra, Chunky Panday, Amit Sial, Manu Rishi Chaddha, and Sumit Gulati, adds to the film’s grotesque style but often suffers from limited character development.
Notably, Chunky Panday's character becomes a mere caricature, lacking the richness necessary for a meaningful role.
As both director and writer, Vipul Vig aims to craft a vibrant comedy merging myth and slapstick. Yet, many reviewers claim the execution lacks depth and story coherence.
What may have been intended as comedic brilliance often feels forced, with gags that don’t maintain interest throughout the lengthy runtime.
Special effects and stylistic choices, meant to mimic vintage television aesthetics, appear as mere distractions rather than innovative elements.
Reviews of Rahu Ketu reveal sharp divides, with many expressing regret over what they perceive to be wasted potential:
The Hollywood Reporter India called it “vacuous and painfully rudimentary,” criticizing its humor and overall coherence.
Hindustan Times addressed its messy execution and limited laughs, awarding it 2 stars and commenting that it offers “too much noise and too few chuckles.”
Conversely, Times of India provided a more favorable perspective, giving it 3.0/5 stars and noting it may elicit genuine laughter for those appreciating eclectic humor.
Critics have also branded it a mythological disaster that fails to justify its essence, attempting to merge too many narratives without establishing clarity.
Reactions among audiences reflect the fragmented critical reviews. Some celebrate Rahu Ketu for its energetic delivery and creative aspiration, especially during peak comedic exchanges.
However, others resonate with critics, arguing that it muddles diverse themes, from mythology to slapstick, resulting in uncertainty.
Online platforms reveal that Rahu Ketu may appeal more to those who favor broad humor and visual absurdity than those searching for structured comedy.
Rahu Ketu aspires to merge cultural insights with a contemporary narrative. However, critics argue that its thematic ambitions fall short due to weak writing and verbose scenes, which reduce impactful satire to incoherent chaos.
While elements touching on social corruption and divine purpose exist, their execution feels rushed, impeding any potential thematic clarity.
On a technical front, Rahu Ketu presents a blend of typical Bollywood visuals with stylized segments to conjure a fantastical atmosphere. Though critics have overlooked cinematography, they note that erratic special effects and pacing detract from the experience.
Editing decisions—especially pacing and transitions between frantic scenes—have been criticized for adding to narrative disarray rather than enhancing the story flow.
Rahu Ketu represents an attempt to innovate Bollywood comedy with its mix of mythological fantasy and surreal humor—an uncommon genre blend in mainstream Indian cinema.
Nevertheless, the results indicate that mere ambition does not suffice; relevant writing, deft direction, and a disciplined narrative structure are vital for achieving lasting comedic success.
It remains to be seen whether Rahu Ketu influences future filmmakers to refine genre fusions or serves as a warning about reaching too far.
In summary, Rahu Ketu presents a film with noble intentions but flawed delivery. While its vibrant premise and dynamic cast feature moments of fun, these are overshadowed by narrative challenges that hinder its success as a comedy. The film’s mixed reception reflects this struggle, lauded for its creative spirit by some, while critiqued for lack of coherence by others.
Fans of Varun Sharma and Pulkit Samrat may find enjoyment, but those in search of solid storytelling and effective comedy might feel let down.
Disclaimer:
This review is informed by critical responses and audience reactions available at the time of writing, intended solely for informational purposes. Opinions expressed herein capture a range of views and may differ among viewers.
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